Forward Thinking 1976 - 2008
ground floor galleries
Celebrated for large-scale, everyday objects covered in man-made fabrics, Eric Bainbridge has spent the past three decades investigating a variety of materials and styles. This exhibition will combine selected works from the 1970s to the present, newly commissioned sculpture and a collection of works on paper. Together they will allow the viewer to take a closer look at an artist who has continued to play an influential role in post-war sculpture.
A graduate from the Royal College of Art in 1981, Eric Bainbridge has exhibited extensively on both sides of the Atlantic throughout the 1980s and 1990s including several highly acclaimed exhibitions at the Institute of Contemporary Art, Boston, Walker Art Centre, Minneapolis, Institute of Contemporary Art, London, and Stedelijk Museum, Amsterdam.
supported by

Eric Bainbridge, Modernised domestic appliance, 1995, microwave oven, chipboard. Courtesy of the artist and Workplace gallery
works from the Tate Collection
second floor gallery
The Naked and the Nude brings together sixteen works from Tate's collection. The exhibition traces some of the ways in which twentieth century artists have approached this loaded genre, from the impressionist style of Philip Wilson Steer to Euan Uglow's more anatomically exacting approach.
Although it is acknowledged as one of the classic genres of painting and sculpture, the nude has become more problematic over the course of the twentieth century. Many artists have turned their backs on classical approaches to beauty and rejected the stultifying conventions associated with it. Central to the exhibition is Lucian Freud's Girl with White Dog, which is one of his most important works, and has helped to establish him as among the foremost living exponents of nude portraiture.
This exhibition has been organised through Tate Connects, which is Tate's programme to broaden and deepen UK-wide participation in the visual arts through local, national and international collaboration and exchange.
Lucian Freud, Girl with White Dog, 1950-1, oil on canvas ©Tate, London 2008
mima sound space
Founded in 1976 Printed Matter, Inc is the world's largest non-profit organisation dedicated to the promotion of publications made by artists. Recognised for years as an essential voice in the increasingly diversified world of artists' publications their mission is to foster their appreciation, dissemination, and understanding. In addition to artists' publications Printed Matter, Inc has an extensive collection of audio art from which James Hoff, Director of Development, Printed Matter, Inc. has made a tailored selection for mima sound space. For more information visit www.printedmatter.org
project space 2
A project exploring spaces, sounds and views in and around mima, with children aged 5 and 6 years old from Ayresome Primary School in Middlesborough.
Developed in collaboration with MA Art Museum and Gallery Education students from Newcastle University.
15 February 2009
ground floor galleries
Danish artist Anders Ruhwald is among the most noted of a new generation of ceramic artists,
and his work has been highly acclaimed in exhibitions around the world. His sculptures seem
to float above the gallery floor and lean gently on walls and each other for support. There
is a strange sense of functionality to his work and his sculptural domestic objects and
furniture, are often mutated beyond recognition. Imprints of household objects within clay,
cement a sense of a familiar subject which is just beyond our reach.
This is his most significant exhibition to date.
supported by

Anders Ruhwald, Social piece of furniture #6, 2007, earthenware, painted wood and rubber-cap, Courtesy of the artist15 February 2009
second floor gallery
Katy Moran is rapidly becoming one of the most talked about painters of her generation. Her technically audacious, highly expressive canvasses offer a form of abstraction that is firmly rooted in day to day observations of our modern world. For her first solo exhibition in a public gallery in the UK mima will bring together the best and most important paintings from her career together with a number of new works.
Katy Moran, Ledger, 2008, Courtesy the artist and Stuart Shave/Modern Art